General Information

The Taj Mahal is considered the finest example of Mughal architecture, a style that combines elements from Persian, Ottoman, Indian, and Islamic architectural styles.
In 1983, it became a UNESCO World Heritage Site, cited as "the jewel of Muslim art in India, it is one of the universally admired masterpieces of the world's heritage."  While the white domed marble mausoleum is its most familiar component, it is actually an integrated complex of structures. Building began around 1632 which was completed around 1653, it employed thousands of artisans, craftsmen. The Persian architect, Ustad Ahmad Lahauri is generally considered to be the principal designer of the Taj Mahal.


Entry Fees and Timings-

-Open time:
       - 6:00am - 8:00pm in weekday except Friday
   
- Tickets prices:
        - For foreigners: 750 Rupee ( including first gate ticket plus taxes of 4 main spots, but still need to buy main spots tickets )
        - For local: 110 Rupee for before 7:00am & after 5:00pm
                            20 Rupee for rest time.
-Only five items are allowed inside due to security reason:
       - Water in transparent bottles
       - Small video cameras
       - Still cameras
       - Mobile phone
       - Small ladies' purses
- Best months for visiting: October, November &February
- Summer is not good choice for visiting caused by the temperature will achieved at most 47℃ on the ground.
- For environment protection, no parking is available, you should choose walking or catch an electric bus to Taj Mahal.

Myths

Ever since its construction, the building has been the source of an admiration transcending culture & geography, so personal and emotional responses to the building have consistently eclipsed scholastic appraisals of the monument.
A longstanding myth holds that Shah Jahan planned a mausoleum to be built in black marble across the Yamuna river. The idea originates from fanciful writings of Jean-Baptiste Tavernier, a European traveller who visited Agra in 1665. It was suggested that Shah Jahan was overthrown by his son Aurangzeb before it could be built. Ruins of blackened marble across the river in Moonlight Garden, Mahtab Bagh, seemed to support this legend. However, excavations carried out in the 1990s found that they were discolored white stones that had turned black. A more credible theory for the origins of the black mausoleum was demonstrated in 2006 by archeologists who reconstructed part of the pool in the Moonlight Garden. A dark reflection of the white mausoleum could clearly be seen, befitting Shah Jahan's obsession with symmetry and the positioning of the pool itself.

No evidence exists for claims that describe, often in horrific detail, the deaths, dismemberment and mutilations which Shah Jahan supposedly inflicted on various architects and craftsmen associated with the tomb. Some stories claim that those involved in construction signed contracts committing themselves to have no part in any similar design. Similar claims are made for many famous buildings. No evidence exists for claims that Lord William Bentinck, governor-general of India in the 1830s, supposedly planned to demolish the Taj Mahal and auction off the marble. Bentinck's biographer John Rosselli says that the story arose from Bentinck's fund-raising sale of discarded marble from Agra Fort.

In 2000, India's Supreme Court dismissed P.N. Oak's petition to declare that a Hindu king built the Taj Mahal. Oak claimed that origins of the Taj, together with other historic structures in the country currently ascribed to Muslim sultans pre-date Muslim occupation of India and thus, have a Hindu origin. A more poetic story relates that once a year, during the rainy season, a single drop of water falls on the cenotaph, as inspired by Rabindranath Tagore's description of the tomb as "one tear-drop...upon the cheek of time". Another myth suggests that beating the silhouette of the finial will cause water to come forth. To this day, officials find broken bangles surrounding the silhouette.

The Taj's Other Story

BBC reports:

If you have ever visited the Taj Mahal then your guide probably told you that it was designed by Ustad Isa of Iran, and built by the Moghul Emperor, Shah Jahan, in memory of his wife Mumtaz Mahal. Indian children are taught that it was built in 22 years (1631 to 1653) by 20,000 artisans brought to India from all over the world.

This story has been challenged by Professor P.N. Oak, author of Taj Mahal: The True Story, who believes that the whole world has been duped. He claims that the Taj Mahal is not Queen Mumtaz Mahal's tomb, but an ancient Hindu temple palace of Lord Shiva (then known as Tejo Mahalaya), worshipped by the Rajputs of Agra city.
Copyright by World-Mysteries.com
In the course of his research, Oak discovered that the Shiva temple palace had been usurped by Shah Jahan from then Maharaja of Jaipur, Jai Singh. Shah Jahan then remodelled the palace into his wife's memorial. In his own court chronicle, Badshahnama, Shah Jahan admits that an exceptionally beautiful grand mansion in Agra was taken from Jai Singh for Mumtaz's burial. The ex-Maharaja of Jaipur is said to retain in his secret collection two orders from Shah Jahan for the surrender of the Taj building.

The use of captured temples and mansions as a burial place for dead courtiers and royalty was a common practice among Muslim rulers. For example, Hamayun, Akbar, Etmud-ud-Daula and Safdarjung are all buried in such mansions.

Oak's inquiries begin with the name Taj Mahal. He says this term does not occur in any Moghul court papers or chronicles, even after Shah Jahan's time. The term 'Mahal' has never been used for a building in any of the Muslim countries, from Afghanistan to Algeria.

'The usual explanation that the term Taj Mahal derives from Mumtaz Mahal is illogical in at least two respects. Firstly, her name was never Mumtaz Mahal but Mumtaz-ul-Zamani,' he writes. 'Secondly, one cannot omit the first three letters from a woman's name to derive the remainder as the name for the building.'

He claims, its a corrupt version of Tejo-mahalaya, or the Shiva's Palace. Oak also says that the love story of Mumtaz and Shah Jahan is a fairy tale created by court sycophants, blundering historians and sloppy archaeologists. Not a single royal chronicle of Shah Jahan's time corroborates the love story.

Furthermore, Oak cites several documents suggesting that the Taj Mahal predates Shah Jahan's era:

  1. Professor Marvin Miller of New York took samples from the riverside doorway of the Taj. Carbon dating tests revealed that the door was 300 years older than Shah Jahan.
  2. European traveller Johan Albert Mandelslo, who visited Agra in 1638 (only seven years after Mumtaz's death), describes the life of the city in his memoirs, but makes no reference to the Taj Mahal being built.
  3. The writings of Peter Mundy, an English visitor to Agra within a year of Mumtaz's death, also suggest that the Taj was a noteworthy building long well before Shah Jahan's time.
Oak also points out a number of design and architectural inconsistencies that support the belief that the Taj Mahal is a typical Hindu temple rather than a mausoleum.

Many rooms in the Taj Mahal have remained sealed since Shah Jahan's time, and are still inaccessible to the public. Oak asserts they contain a headless statue of Shiva and other objects commonly used for worship rituals in Hindu temples.

Fearing political backlash, Indira Gandhi's government tried to have Oak's book withdrawn from the bookstores, and threatened the Indian publisher of the first edition with dire consequences.

The only way to really validate or discredit Oak's research is to open the sealed rooms of the Taj Mahal, and allow international experts to investigate.


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